THE GLORY OF DDLJ
Dil Wale Dulahaniya Le Jayenge (DDLJ) a 1994 film which
has recently completed 1,000 weeks. Indian cinema lovers have bestowed the warm
love for this film. Today any film which is hit runs for 1 month and a super
hit film runs for 2 months. Multiplex has replaced the single screen theaters.
DDLJ has not only witnessed this change but reign in both times.
I remember those days when people from nearby
villages use to come to town to see films. Yes, it was 1994.Hum Aapke Hain
Koyon, Rangeela, Bombay, Cooli No.1 et al. watching a film was a celebration.
Indian cinema possesses the glorious legacy of song and
dance sequences. Aditya Chopra was confident to make this film. He convinced
SRK and Kajol to work on this film. SRK who was in news for his successful
negative roles and he was happy about it. SRK and Kajol did not know that this
film will write their fate. SRK became super star after this film.
On social
background Indian was on the way to globalization. Internet was yet to be
rooted in Indian society. The youth was very much interested in going abroad
and carving their career. It was a love story, a routine love story but told in
an extra-ordinary manner. NRI Indian young boy met a girl when they
both were on Europe tour. He was enjoying his failure as being a rich spoiled
brat and Kajol being an apple of daddy’s eye, which is enjoying her one and
only month of her life. She is ready to sacrifice their life for their
parents.
“Love is composed of a single soul
inhabiting two bodies”. Said Aristotle
The sweet Europe tour gets over and Raj and Kajol come
together. The journey of Europe with lot of fun and exciting bites they find
the real nature of each other. This is the beauty of this DDLJ love story. Raj who
try to portray how responsible and caring he is completely opposite of his
screen character and Kajol who is otherwise homely who try to be high hilled
and bubbly girl. This is the successful equation.
Indian people have enjoyed this film not only for its
foreign locations but for the portrayal of story. 1994 onwards we have
witnessed the ups and down of economy. That was the per-mobile and pre-internet
era. Today’s youth who is born after 1994 are known as internet generation.
They have also liked this film may be because the NRI up market families and
their nostalgia for their Indian ethos and love for soil. We are not going in
the question of how genuine their love for Indian ethos and love for
soil
I remember the lines of Pablo Neruda here,
“Someday, somewhere - anywhere, unfailingly, you'll find
yourself, and that, and only that, can be the happiest or bitterest hour of
your life.”
Sudden realization of love from the by SRK and
Kajol takes a twist to the story. They long for each other and then their
involvement with family members and with each other takes us through many ups
and downs. SRK try every possible way to win the heart of Kajol’s family. Kajol
begins considering his as her future husband. The magical portrayal of first
love attracts the youngsters.
This Pablo Nerudian passion which he mentioned in his100
Love Sonnets, I would like to share it now,
“so I wait for you like a lonely house
till you will see me again and live in me.
Till then my windows ache.”
till you will see me again and live in me.
Till then my windows ache.”
Raj (SRK) and Simran (name given by Raj to Kajol) became
synonyms for lovers in the decades of 90s and 2000s. I remember many people had
their name Raj. They felt silver screen proud that their name is Raj. It always
has been one of the famous names from India. Today it is rarely used or not
used at all. Credit goes to DDLJ. Every boy in India became Raj and
every otherwise homely and average looking dusky girl is proud to be Simran.
I think DDLJ will complete more 20 years as it left the
legacy for nearly two generations. The youngsters who motivated by DDLJ must be
in their 40s and have small children now. There are chances; this small
generation may follow the Papa’s classic DDLJ. The early teen generation of
1994 must be getting married now. The third generation of on the more lovers,
who patronized DDLJ many times for its saga of love and Indian ethos many a
times and enjoyed cinema experience in theater, they remember the magic of
dark, AC and cinema hall experience of DDLJ. Most of the times these on the
move lovers part but they have nostalgia for this DDLJ theater romance.
Many youngsters of internet generation are making their
face when they hear the name of DDLJ. Smart phones that connect everything to
anything, Internet offer you the leaping vision. These gadgets have not only altered
the space and time but they have made us more confused about human emotions.
Today when asked to a college freak about DDLJ, his reply stunned me.
Connecting this love story or SRK devotion for love and courtship is beyond
their intellectual periphery.
It is worth taking a look, how we have grown from 1994
an ear of landline to today’s smart phone. That was the era of letter friend
columns in news paper and today with whatsapp. Chat machines and cyber café are
the object of yesterday. Whatsapp has over taken the email account. The very
equations of love have changed. Gone are those days when people use to praise
lovers and their courtship. DDLJ we also find the last mile stone of
love story. Today we have love story as it is the basic ingredient
of Indian cinema but we do not find that charm what we find in DDLJ.
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